‘Tis the season that’s the reason for spending money on gifts for friends, family and, of course, yourself! Everyone’s compiling lists of their favorites and I’ve done the same.
There have been many innovative art supplies that hit the market over the last couple of years and many have become part of my daily use, so my list is made up of items that are just a little different in some way.
The steps were pretty much the same, though I used Lemon Yellow for my first wash, Burnt Sienna and Ponceau (Acid Red) for my mid-tones and purple for my shadows (the purples are vibrant in the original, but the scan shows them as more so).
With the hummingbird, I was playing with gouache’s opacity and trying to get the flat, velvety look. For this camel, I kept my colors more transparent by using more water. The purple is the only color that I applied opaquely.
I also played with lifting color. The Cézanne cold press is a very robust paper so I could lift and add more color several times. This can lead to muddy colors, but it can also give your work a subtle light effect and add texture by showing particles of the color beneath.
The gouache lifted easily. This is in part due to the paper, but I found that even the most intense colors lifted more than I would have expected.
What looks like a cross between a cat, a dog, and a mongoose and where might you find it? It’s a fossa (pronounced Foo-sa) and, of course, it’s on Madagascar where wild and wacky animals abound! The fossa is the largest carnivorous mammal on the island, running about six feet in length (though half of that is tail).
Artwork-Miya Gouache & Van Gogh Interference Watercolor in a Saint Armand Canal Pad.
Saint Armand paper is rag paper made of leftovers from the fabric industry. Their paper in the Canal Pad isn’t necessarily formulated for watercolor. I haven’t tried it with watercolor yet because I’m playing with gouache at the moment (which, yes, it actually is watercolor too, but made a bit differently).
Since I’ve also been playing around with black paper, I decided I would use one of the black pages in the pad. I was very pleased with the way the gouache handled. A touch of interference white watercolor over the gouache white gave my moon an extremely silvery look.