Leafy Sea Dragon – Postcards for the Lunch Bag


Artwork-Holbein Gouache on a Stonehenge Aqua ColdPress Black watercolor paper. Brushes: Jack Richeson Richeson Grey Matters Synthetic Watercolor Flat 1/4

Today, my hubby took a Leafy Sea Dragon in his lunchbag. Did you know that the Sea Dragon is not a sea horse, though they are related to them? Their leafy protrusions are such a good camouflage that they have no known predators.

Doodlewash prompt ‘Seahorse’.

Even when I’m not feeling artsy, I try to do something artsy every day. I usually go abstract on those days – can you tell this was one of them?

Hummingbird on Lilac


Artwork: Zebra Sarasa Clip Ballpoint and Zebra Pen Metallic Brush Pen in a Hahnemühle 1584 notebook.

In 2017, I did a series of step-outs and step-by-step landscapes, which included many for birds and animals as well as plants.

Among the very first was my step-out for the hummingbird, which this drawing is based on.

Tools:

Hahnemühle 1584 at:

Opal Dinosaur – Postcards for the Lunch Bag


Artwork-Holbein Gouache on a Stonehenge Aqua ColdPress Black watercolor paper. Brushes: Princeton Neptune Travel Brush, Series 4750, Round, Size 8

Today, my hubby took an opal dinosaur in his lunchbag.

Doodlewash prompt ‘Rainbow’. An opal has a rainbow of colors so I’m claiming this for the prompt!

With Australia in the news, all sorts of odd trivia is popping up. I discovered that fossilization and opalization occur under similar circumstances, and that in some areas (such as Lightning Ridge, Australia) fossils are found that are partially opalized. Including dinosaur fossils!

The opalization tends to occur in gaps where the fossilization misses, so you won’t find whole dinosaurs (or shells or wood, etc) that are totally opalized, especially not to the extent that I’ve painted mine. But once I discovered that this happens, I had to paint a fully opalized dinosaur skull – that’s where imagination exceeds reality!

Sad to think that many of these fossils may be destroyed in the fires – another tragedy among tragedies.

White Tiger – Postcards for the Lunch Bag


Artwork-Zebra Zensations Technical Pen and Schminke watercolor on a Hahnemühle Cold Pressed Watercolor Postcard. Brushes: Jack Richeson Richeson Grey Matters Synthetic Watercolor Flat 1/4 Photo courtesy of glynn424 on Pixabay

My hubby took a white tiger in his lunch bag.

Did you know that the only about one in 10,000 tigers are born white in the wild? Their white coloring provides poor camouflage, so few of them survive.

Doodlewash prompt ‘tiger’.

Tools

Hahnemühle Cold Press Watercolor Postcards (review).

Zebra Zensations Technical pens (review

Jack Richeson Richeson Grey Matters Synthetic Watercolor Flat 1/4

Keel-billed Toucan – Pencil to Paint Tutorial


Artwork-Zebra Zensations Technical Pen and Schmincke watercolor on a Hahnemühle Cold Pressed Watercolor Postcard. Brushes: Princeton Neptune Quill Size 4 & Neptune Round Size 8.

Did you know that Toucan Sam, the lively toucan on Froot Loops cereal is a Keel-billed Toucan?

This painting is what is known as a ‘line and wash’ because it is drawn in pen first and then painted with watercolor.

Before You Start

Reference photo courtesy of Suju on Pixabay.

I was looking for a subject that I could use as one of my Postcards for the Lunch Bag as well as to meet the Doodlewash prompt of ‘Rainforest’.

This guy grabbed my attention because of his expression, his fuzzy head and bright colored bill. Those were things I most wanted to capture in my painting.

Pencil

(This scan is darkened so you can see the pencil lines. You should pencil lines in lightly)

I really punched up the darkness on this pencil scan because I wanted you to see everything.

All those little speckles come from erasing – I kept drawing the bird too large for the postcard. You can’t see the damage with the eye but it does create more texture when I paint. Usually you don’t want that. I didn’t, but felt it was workable.

Usually I can eyeball proportions and draw a bird without too much trouble – I don’t have to think about it too much. But this toucan is sitting at an odd angle and it was one of those days where my brain and my hand were not communicating well.

So I did something I seldom do – I actually measured the distances of the shapes (you can see the horizontal and vertical lines I drew as a guide).

My point being that no matter how much experience you have, some days you are just off your feed. Instead of fussing, stop what you are doing and try it a different way (or just stop and come back later). I have to remind myself of this, often.

Not sure if you’re up to drawing this? Art Tutor has a great grid program that will help by applying a grid to your uploaded photo. You can also crop and adjust color and value.

Pen

Before starting my pen drawing, I had to make a decision. Usually, I establish the values in the painting, as well as the outline when I do my pen work. But the toucan feathers are largely black and gray, which would call for a lot of pen and create a very stark, dramatic appearance.

As I discussed above, I wanted those bright colors to be a focus, and I felt heavy pen work would take away from that. So I only drew an outline.

I outlined more of the background than usual. One of my goals was to satisfy the prompt of rainforest, so I thought I’d give the background more of the focus than usual. It was a secondary goal though and I kept the outlines simple and loose.

I wanted to be able to change my mind.

Values= dark to light. When you establish your values, you are deciding where the darkest areas are, and some of the important mid-tones.

Paint

The toucan’s face was painted with Rutile Yellow and Cobalt Azure. The bill was Cobalt Azure, Saturn Red, and Brilliant Red Violet. The body and tail were done with layers of Payne’s Blue-Gray, Cobalt Azure, with an addition of Saturn Red and Perylene Violet on the head.

I soon realized that the bright colorful area that I wanted to be a focus was too small at this 4 x 6 size. For this reason, my sky became a blend of yellow and bleeding into blue. A kleenex was used to lift some of the wet yellow to light it for more contrast between the bird and the sky.

The tree limbs were painted with a mix of Perylene Green and Perylene Violet applied in layers. I mix my browns, by dropping a second color into the wet paint on the paper. Green and violet are my favorite mix, but it depends on the other colors in the painting.

The foliage was done with various *wet-into-wet mixes of Rutile Yellow, Viridian, Perylene Green, Perylene Violet and the occasional touch of Yellow-Orange.

*Wet-into-Wet means you add more wet paint into an area of the paper where the paint is still wet.

Because I wanted the rainforest feel, I added quite a bit of detail to the background, although it’s still loose and abstract. I alternated negative painting (painting around shapes) to create hard edges, and lifting colors for shapes with soft edges.

Something about the bill was bothering me but it was late, and I put the painting away. When I made the scan the next morning, I saw it immediately.

In the left photo, notice the area at the tip of the bill; the darkness sweeping in the same direction? It seemed to be part of the bill, messing up the proportion.

I t was time to put this in hubby’s lunch bag, so I just wet a finger and smeared the area so it wouldn’t be as dark, lol. Ideally, I would have lightened it while keeping more of the leaf shape.

Remember the erasing I mentioned earlier?

I ended up with lighter color on the face, because there was an ugly blotch of damaged paper that showed with darker color. I didn’t achieve the exact goal I had in mind.

Does that make me unhappy? No. Having a goal helps me make decisions as I paint, but I like staying flexible and not always knowing exactly what will happen.

Tools

Hahnemühle Cold Press Watercolor Postcards (review).

Zebra Zensations Technical pens (review)

Princeton Heritage Synthetic Sable 4050 Round 8 

Amur Leopard Cub – Postcards for the Lunch Bag


Artwork-Zebra Zensations Technical Pen and Daniel Smith watercolor on a Hahnemühle Rough Watercolor Postcard. Brushes: Jack Richeson Richeson Grey Matters Synthetic Watercolor Flat 1/4 Photo courtesy of on Pixabay.

Believed to be the rarest feline on earth, the Amur Leopard lives in a harsh cold climate of southeastern Russia and northern China. Sort of a success story – their population, in the wild, has about tripled in the last decade.

The ‘sort of’. That’s still only about 85 leopards. Even in zoos, there are under 200 of these beautiful animals.

Tools

And Where You Can Buy Them

Zebra Zensations Technical pens (review)

Daniel Smith watercolor:

 

 

No Bull – Postcards for the Lunch Bag


Artwork-Zebra Zensations Technical Pen and Schminke watercolor on a Hahnemühle Cold Pressed Watercolor Postcard. Brushes: Jack Richeson Richeson Grey Matters Synthetic Watercolor Flat 1/4 Photo reference courtesy of Couleur on Pixabay

My hubby took a cow in his lunch bag

Did you know that cows can see almost 360 degrees and can scent things from up to six miles away? That’s kind of mooo-ving, isn’t it!

Tools

Hahnemühle Cold Press Watercolor Postcards (review).

Zebra Zensations Technical pens (review)

Jack Richeson Richeson Grey Matters Synthetic Watercolor Flat 1/4