As you might know, this month I’ve been posting small daily doodles based on the Doodlewash prompts for June. I did all of these on one page and here you have them all.
By the way, the paper I used is the Hahnemühle Collection Sketch, which I will be reviewing in July, along with the Collection Watercolour papers. Be sure to look for it at Doodlewash – along with other reviews, featured artists and tons of giveaways and cool items for sale only until the end of July. The goal is to raise money for The Dreaming Zebra Foundation and support arts education and our future artists.
If you decide to join in, use the hashtag #WorldWatercolorMonth when you post your watercolor works so it will be included in the online global gallery!
Any watercolor work with even a splash of watercolor is allowed. You can follow the daily Doodlewash prompts, but it isn’t required. Your work is welcome whether you join in for one or a few days, or whether you join in every day!
Artwork: Zensations Tech Pen, Watercolor and Gouache in a Grey Toned Hahnemühle Watercolour sketchbook
If you are looking for my review of the Hahnemühle Toned Watercolour sketchbooks, you can find it at Doodlewash. If you are looking for my scribble animal tutorial, you can find it the Zebra Pen Z-Blog.
This is another painting I did from a photo taken at the Black Hammock Gator Farm in Florida. We visited family there just shortly before the lockdowns started.
The airboat rides were rather expensive, and neither my hubby or I was that eager to look for gators, so we wandered around while the rest of group went on the ride. I tried to quickly sketch my niece and her two sons as they disembarked. I thought I’d just do them in silhouette, but realized it would take too long, and my niece’s face was waaaaay to dark. I couldn’t get watercolor to cover it.
Gouache to the rescue! I was able to cover up the mess and repaint something half-way decent. It looks nothing like my niece and doesn’t quite match the feel of the rest of the painting. But Hey! I count it as a victory!
I’m so glad that the Hahnemühle Watercolour sketchbook was sturdy enough to handle all my fussing.
Artwork-Pen, QoR Mars Orange Deep and Daniel Smith Piemontite Genuine in a Hahnemühle Nostalgie Sketchbook.
A long time ago, I drew this flower – with a technical pen I think but I’m not positive. Having had fun painting with nothing by Mars Orange Deep the other day, I decided to try the same color with Piemontite Genuine, a deep chocolate color.
For some reason, I like all my pigments in a painting to be the same brand. I’m not quite sure why, and it’s silly, because it means I’m missing out on great combinations of colors.
This is the second book in Charlie O’Shields Sketching Stuff Activitybooks. The theme for the first book was Nature and this time out the theme is Food. Gather up some snacks, because you’ll be hungry by the time you’re through with the book, lol.
Anyone who likes to do puzzle activities. In the first half of the book, you’ll find activities similar to many found in puzzle books, such as Spot the Difference and Drawing in a Grid. You’ll also find drawing activities that will tie into the puzzle types.
Anyone who wants to draw better but for fun. The book uses time-honored techniques for improving your drawing, but disguises them as fun activities!
Anyone who wants to learn more about using color. In the second half of the book, Charlie shows you photographs along with his painting of them, and tells you the colors he used. This part of the book is more like a how-to, but it ties into what you’ve learned in the first part of the book.
What Tools Do You Need?
You could do the whole thing with crayons if you wished!
But you’ll have more fun with pencil, eraser, pen, colored pencils, watercolor paints, palette, brush, watercolor paper, a cup of water and your imagination.
Not all of these items are needed. The exercises in the second half of the book do require that you have your own paper. Charlie uses watercolor, but the exercises can be done with any color medium.
Look and Feel
If the video does not work for you here, you can find it on my YouTube Channel.
Look and Feel
The book is published through Kindle Direct, so it is a softcover with glued binding. I’ve never had pages come loose accidentally from a Kindle Direct book, but I’ve found that I can fold the book back, press along the inside edge, and easily tear pages out, if I wish.
The glued binding means the book doesn’t lie flat, but the slope didn’t cause me any problem with drawing or coloring. I did remove pages so I could scan them more easily.
The paper isn’t really formulated for artwork. That said, it handles pen, pencil, colored pencil and marker quite well. While I wouldn’t recommend it for watercolor, you can use it. I’ll discuss the paper further in the Performance section.
I’ve listed the contents down below, so I’m only going to discuss the types of activities here.
The book starts out with extremely simple exercises, such as this scribble art exercise. These are easy for any age group. Advanced artists may find them too simple, although I enjoyed going back to the basics, and used them as a warm-up before doing something more complex.
This first section trains you to look for shapes and details. Trust me – this is THE first ability you need when drawing. Charlie’s scribble, doodle and spot the difference exercises will help you learn it.
Then the activities have you exploring techniques that will help you draw those shapes and details, such as using a grid.
Up to this point, there are pages in the book meant for you to do your art. In the last part of the book, you need to work on other paper. Watercolor paper is recommended if you are going to use paints.
I’ll go into more detail on this in the Examples section.
The paper in this book is better than you would get in a Crossword puzzle book, and not as good as you would get in a glossy print book.
But you can get some surprisingly nice results.
My favorite medium to use is technical pen and colored pencils. In this activity, you’re asked to look for the shapes in a photo. I looked for ALL the shapes, even the teeny, tiny ones and then I colored the heck out of them with my mechanical colored pencils!
The colors don’t come out bright, but you can get many layers and depth.
For this grid drawing exercise, I used marker pen.
There was some bleed-through on the back of the page, as you can see above. The amount you would get will depend on how juicy the markers are, and how much ink you put down. If you aren’t sure, I recommend testing your markers (and pens etc.) on the last page of the book, before using them for an activity.
Watercolor isn’t the best medium for this book. The paint absorbs quickly and doesn’t move at all, so you have to keep picking up more paint after each stroke. The paper dimples and the more water you use the more dimpling. I didn’t have any bleed-through, but I know that I would have if I’d used more water.
So, it isn’t the best medium to use in this book, but if you do, you can get decent results.
This is one of the exercises from the latter part of the book, done on watercolor paper (not done in the book itself).
Charlie doesn’t specify brand names and specific colors for his paintings, just saying blue, or light red, etc. That means it would be very easy to follow his instructions using another *medium. If fact, you could do the same exercise more than once using a different medium each time.
*medium – the tool you use to draw, color or paint with. Watercolor is one medium, colored pencils would be another and so forth.
I’m not as good at leaving white space as Charlie, so I used a white gel pen to add highlights. My goal for this book is use his instructions to get better at leaving my whites showing!
Artwork-Zebra Zensations Technical Pen and Daniel Smith watercolor in a Hahnemühle Watercolour Book.Princeton Neptune, Round Size 10.
You ever get to that place where you want to do something, but don’t feel like you have the energy, and you aren’t quite sure what you want to do, anyway?
But you really want to do something.
So you start, and then stop, and start something else. And on it goes.
I was that way last night, and decided I’d paint (what a surprise!). But I just couldn’t get into what I was doing. I recognized the mood I was in, and knew I wouldn’t be happy with my painting no matter what. But I made myself keep at it.
There’s a kind of freedom in knowing you won’t succeed. I turned off my brain and just painted and yes. I don’t like it. But I’m not grumpy anymore and I popped myself out of that ‘I don’t know what I want to do’ because I did something.
I used to do these Lotus Blossoms all the time, but it’s been a while, so it took me days, and I had to redo a lot of it. I did manage to tear in a couple of places because of the redos, but I was actually impressed at how well the paper held up.
Because it’s been so long, I checked out a tutorial. If you are interested in making one of these, the video is here.