Artwork-Miya Arts Gouache over watercolor on Hahnemühle Cézanne Cold Press. Brushes: Jack Richeson 713995 Watermedia Pocket Plein Air Brush Set Photo reference from Masy on Pixabay.
So how did I get from this to that?
This was done on the other half of the paper from the hummingbird I posted on Saturday.
The steps were pretty much the same, though I used Lemon Yellow for my first wash, Burnt Sienna and Ponceau (Acid Red) for my mid-tones and purple for my shadows (the purples are vibrant in the original, but the scan shows them as more so).
With the hummingbird, I was playing with gouache’s opacity and trying to get the flat, velvety look. For this camel, I kept my colors more transparent by using more water. The purple is the only color that I applied opaquely.
I also played with lifting color. The Cézanne cold press is a very robust paper so I could lift and add more color several times. This can lead to muddy colors, but it can also give your work a subtle light effect and add texture by showing particles of the color beneath.
The gouache lifted easily. This is in part due to the paper, but I found that even the most intense colors lifted more than I would have expected.