If you are looking for Life Imitates Doodles Weekly Wednesday Giveaway #7, you can find it here.
Drawn with Zebra Zensations Technical Pen and painted on Hanemühle Rough watercolor postcard using watercolors, a Princeton Velvetouch Long Round and a Princeton Neptune Quill 4.
I apologize that I can’t identify all the colors in this painting. I used a home-made palette and have lost the color chart I made for it. And I was too lazy to do color swatches so I could identify them. One of these days, lol.
Did you know that the Ring-tail Coati of South America is a member of the Raccoon family? They are active in the day, though and live in treetops, building nests of leaves and twigs for their young.
The reference photo I used was courtesy of andycosta at Pixabay.
This coati presented a problem that I often find in painting animals. It had ticking, where each hair is a variety of colors. I love the look, but I still haven’t figured out exactlly the best way to capture it. I’m getting better at it, though. After doing the pencil drawing, I use the Pebeo Masking pen to reserve lighter areas to emulate ticking later.
I use pen to establish where the darkest areas will be, the direction of the fur and the overall outline of the coati.
I scanned this in between step because there are a couple of things I wanted to mention.
The color for this initial wash is either Quinacridone Gold or Gold Ochre and it’s a good base color for what I have in mind.
However, around the nose, feet, hindquarters this Coati has a deep blue sheen that I want in my painting.
I was chatting with hubby while doing this, and wasn’t paying attention. And you know what happens when you mix yellow and blue? Yup! Green. If my initial wash color was very light, it wouldn’t affect a deep blue, but this is a pretty intense yellow.
What the heck. It’s a challenge – I’m going to try for the blue sheen anyway.
The other thing I wanted to mention. Notice that I laid down the first color in the Coati’s tail and hindquarters, letting the color get lighter up and around the head and shoulders.
Well, the head and shoulders ARE lighter. Sort of an obvious thing to paint this way, but not something we always think of at this point in the painting.
I layered an earth red-brown, probably Transparent Red Oxide, Dioxine Purple (probably), and more of the Quin Gold until I had most of the color I wanted. As I used each color, I painted a light tint of it in the background.
I also mixed some of my blue (Phthalo Blue) with the purple, and will up the blue in the next step.
Once it had all dried I removed the masking fluid. Yikes! Too white! Fortunately, I planned for this. I know my paint will reactive nicely on these Hahnemühle postcards and I can soften all that white.
I softened the white by using a barely damp brush to reactivate the colors around it and fill it in. The goal is simple to have lighter bits of the same color. Once this dried, I took my stab at the blue.
It worked pretty well. I did get a bit green just behind the upper shoulder, but – gosh, I think this guy has been rolling in the grass, so of course he has grass stains!
I wasn’t totally happy with the ticking so I did some dry brushing with blue and the red earth color and finished up by adding dots and lines with the technical pen.
Where can you buy these wonderful toys?
Paper: Hahnemühle Rough Watercolor Postcards:
- Rochester Art Supply FineArtStore
- Jerrys Artarama
- Wet Paint Artist Materials & Framing
- Hyatt’s All Things Creative